17 Rosso Extrait de Parfum
Dein Geschenk
Mint, saffron, cananga, white peach, raspberry leaves
Damask rose, pink pepper, peony, nasturtium
Styrax, Ambrette Seed, Amyris , Vetiver , Cedarwood
The initially mysterious-looking number-color combination 17 Rosso refers to the address of Roberto Ugolini's workshop on Via dei Michelozzi in Florence. The house number is 17 R, R stands for Rosso, red. Once you have found the street, you are standing in front of the shoemaker's inconspicuous door between an osteria and a café. The gate is as simple as the world of traditional craftsmanship is utterly fascinating. The finest materials and artistic genius are paired with a passion for the extraordinary. Roberto Ugolini stands for uncompromising quality and an extravagant Italian style like no other. Appreciated worldwide, the master has now become one of the best bespoke shoemakers of his time. 17 ROSSO underscores the passion for exceptional craftsmanship with a particularly high concentration of fragrance oil of 30%, hence the declaration as Extrait de Parfum . The top notes already suggest an impressive fragrance: the fruity white peach stands out, surrounded by leathery saffron, cool mint and green raspberry leaves. There is also fruity cananga oil from the tropical plant Ylang-Ylang . The heart features rich damask rose, fruity-spicy pink pepper and peony notes, rounded off with peppery nasturtium. Balsamic styrax resin, floral-soft ambrette seeds and woody Amyris form the base together with Vetiver and Cedarwood . 17 ROSSO is a true unisex fragrance.
ALCOHOL DENAT., PERFUME (FRAGRANCE), BENZYL BENZOATE, BENZYL SALICYLATE, CINNAMAL, CINNAMYL ALCOHOL, CITRAL, COUMARIN, EUGENOL, FARNESOL, GERANIOL, LIMONENE, LINALOOL
Roberto Ugolini
The ROBERTO UGOLINI fragrance collection was inspired by the traditional craft of shoemaking of its namesake.
When you enter Ugolini’s workshop,
A universe of images and scents opens up: wonderful sample shoes stand on shelves and the finest leather exudes its scent, as does the wood
the turned and carved moldings on the walls or the countless leather oils, waxes and polishes. Maybe it was these too
olfactory impressions that awakened Ugolini's great passion for perfumes.